American Craft 2011 08-09, page 48 read online

CONTRIBUTORS

is head of graduate studies at the

Victoria and Albert Museum, London, and co-editor

o f the

J o u rn a l o f M odern C ra ft.

i c

is the curator of contemporary craft

and decorative arts, Renwick Gallery of the Smithsonian

American Art Museum.

i g

is a curator, historian, and author of

N o L on g er Innocent: B ook A r t in A m erica, 1960 -198 0 .

is an art historian, writer, and

co-owner of Clark + Del Vecchio gallery.

is the Charles F. Montgomery

professor of American decorative arts in the department

of the history of art at Yale University.

i n

i s c

i i

is a metal artist and professor emeritus

of art at San Diego State University.

is an author and independent art

historian based in Arizona.

i n

i s a v i s u a l a r t i s t a n d

a u t h o r o f

K n it K n it: Profiles a n d Projects from K n ittin g ’s

N e w W a v e.

is a writer, artist, and assistant

professor of art at College of the Redwoods in

Eureka, California.

i n

is curator at Sky High Gallery

in Milwaukee, W isconsin, and co-author/director

H andm ade N ation: T h e R ise o f D I T A r t , C raft,

a n d D esign.

i v

i n

is a liber artist and dean of

undergraduate studies at the School of the Art Institute

o f Chicago.

i s

A m erican C ra ft's

c o n t r i b u t i n g e d i t o r .

is a jeweler, scholar, and co-author

with Janet Koplos of

M a kers

, the first textbook on the

studio craft movement.

W .

i c

i i

is the executive director and

curator of collections at the Racine Art Museum

in Racine, Wisconsin.

was associate editor and senior

editor at

A m erican C ra ft

for 30 years.

i c

is the American Craft

Council’s librarian.

IMAGE RESEARCH

i s

has ferreted out thousands of photo-

graphs for design projects over her 23-year career as a

designer, editor, and consultant for newspapers and mag-

azines. Her latest venture is contracting for the American

Craft Council’s marketing department.

mastered the delicate art of finding images

to illustrate text over 15 years as a newspaper editor and

designer. H e’s a graduate student in Minneapolis.

IMAGE

c r e d i t s

AH im ages c o u r te s y o f th e A C C a rch ives unless listed b e lo w .

I940S

A n n i A lb e rs,

/ I n d e n t J V r i t i n g :

S m ith so n ian A m e ric a n A r t M u s e u m , G if t o f Jo h n Y o u n g ; A r m y A r ts and

C ra fts: U s e d b y p erm ission from th e B e tty A . C h a s e E v a n g e l U n iv e r s ity A r c h iv e s , O ’R e illy C o lle c tio n ;

B la ck M o u n ta in C o lle g e lo g o : C o u r te s y o f B la ck M o u n ta in C o lle g e M u s e u m an d A r ts C e n te r ; C a llig ra -

p h y : F ro m

C a l l i g r a p h y

b y A r th u r B a k e r, D o v e r P u b lica tio n s, M in e o la , N Y © 19 73; C ra ftsm a n ’s Fair:

C o u r te s y o f th e S o u th e rn H igh lan d s C r a ft G u ild A r c h iv e ; F a m e s ch air (2): C o u r te s y o f H e r m a n M ille r

In c.; E v a Z e ise l, T o w n an d C o u n tr y d in n e rw a re : C o u r te s y o f B ren t C . B rolin ; G a te w a y A r c h : D a v id

P re sto n ; G e o r g e N a k a sh im a (2): C o u r te s y o f G e o r g e N a k a sh im a W o o d w o r k e r , S .A .; H a r v e y K . L ittle -

to n ,

F e m a l e T o r s o :

G ift o f D r . an d M rs. F red A . B ick fo rd C o lle c tio n o f th e C o m i n g M u s e u m o f G lass;

H o w a r d F in ster,

M a t t h e w A r t e n F s A n g e l :

C o lle c tio n o f M a t t h e w J. A r ie n t; M a rg re t C r a v e r ,

M u f f i n e e r :

S m ith so n ian A m e ric a n A r t M u s e u m , G ift o f th e J am es R e n w ic k A llia n c e ; P a b lo P ica sso ,

H e a d o f W a r -

n o r :

C o u r te s y o f th e U .S . N a tio n a l P a rk S e r v ic e ; Su b u rban life: M a g a z in e illustration, 1954, b y E n glish

S ch o o l (20 th C e n tu r y ), P riv a te C o lle c tio n / © T h e A d v e r tis in g A r c h iv e s / T h e B rid gem an A r t L ib ra ry

1950s

B ern ard L e a c h , Sh oji H a m a d a , an d S o e tsu Y a n a g i: C ra fts S tu d y C e n tr e , U n iv e r s ity fo r th e C r e a tiv e

A r ts , 1952;

C e r a m i c s M o n t h l y :

C o u r te s y o f A m e ric a n C e ra m ic S o c ie ty ; C o m in g M u s e u m o f G lass:

C o u r te s y o f C o r n in g M u s e u m o f G la ss; D a r d H u n te r: C o u r te s y o f R o b e r t C . W illia m s P a p e r M u se u m ;

G u g g e n h e im M u s e u m (2): D a v id M . H e a ld , © T h e S o lo m o n R . G u g g e n h e im F o u n d a tio n , N e w Y o r k ;

H a y s ta c k M o u n ta in S c h o o l o f C ra fts: C o u r te s y o f H a y s ta c k M o u n ta in S c h o o l o f C ra fts;

J o h n n y T r e -

m a in :

C o u r te s y o f M o v i e S tar N e w s ; L a rse n an d Paulin furniture: C o u r te s y o f A r tifo r t; M a r y and

R u ssel W r ig h t,

G u i d e t o E a s i e r L i v i n g :

R e p rin te d w ith p erm issio n o f G ib b s S m ith ; P e te r V o u lk o s:

D o ris L ic lu , C o u r te s y o f O tis C o lle g e o f A r t and D e sig n ; S im o n R o d ia ,

W a i t s T o w e r s :

L u cie n den

A r e n d ; W a rr e n and A lix M a c K e n z ie : C o u r te s y o f W a r r e n M a c K e n z ie

1960s

A n d y W a r h o l,

C a m p b e l l s S o u p C a n s :

A rtists R ig h ts S o c ie ty ( A R S ) , N e w Y o r k ; C a r n a b y S tr e e t style : G e t t y Im a ges; C h r is to a n d je a n n e -

C la u d e ,

W r a p p e d C o a s t :

H a r r y S h u n k , © C h r isto

G e o r g e E . O h r (3): C o u r te s y o f O h r - O 'K e e f e

M u se u m o f A r t ; G la ss b lo w in g : J e f f M ille r , © B o a rd o f R e g e n ts o f th e U n iv e r s ity o f W isco n s in S y ste m ;

H a n d w e a v e r s G u ild o f A m e r ic a logo: C o u r te s y o f H a n d w e a v e rs G u ild o f A m e rica ; J. F r e d W o e ll,

C o m e

A l i v e

Y o u r e i n t h e P e p s i G e n e r a t i o n :

C o u r te s y o f th e S m ith so n ian A m e ric a n A r t M u seu m , G ift o f K a th -

leen K r ie g m a n ;J a cq u e lin e K e n n e d y : E d C la r k / T im e L ife P ictu res / G e t t y Im a g e s;J im i H e n d r ix :

D a v id M o n tg o m e r y , G e t t y Im ages; P a b lo P ica sso ,

U n t i t l e d :

B ry n n a O g le tr e e ; T o le d o M u s e u m o f A r t

w o r k sh o p : C o u r te s y o f th e T o le d o M u s e u m o f A r t; W a lt e r H a m a d y : Z a n e W illia m s

I970S

A lb e r t P a le y ,

P o r t a l G a t e s :

S m ith so n ian A m e ric a n A r t M u s e u m , co m m issio n ed for th e R e n w ic k Gallery';

H ed i K y le ,

A p r i l D i a r y :

C o u r te s y o f S y ra cu se U n iv e r s ity ; B la ck sm ith in g: S c o tt San d ars; G e o r g e

N ak a sh im a,

C o n o i d C h a i r .

C o u r te s y o f th e Sm ith son ian A m e rica n A r t M u se u m , G ift o f L lo y d E . H e r -

m an, fo u n d in g d ire cto r an d d irecto r em eritu s o f the R e n w ic k G a lle ry (19 71-19 8 6 ); H e le n W illia m s D ru tt:

A p ril Sau l; Jim M e lch e rt: M ie k e H . H ille, co u r te sy o f Jam es M e lc h e r t; K a th r y n H o w a r d : T o d d M a tu s;

L in o T a g lia p ie tr a : C o u r te s y o f L in o T a g lia p ie tra ; R ich a rd M arq u is,

L o r d 's P r a y e r :

R ich a rd M a rq u is; Joan

M o n d a le : M in n e so ta H istorical S o c ie ty M a n u scrip ts C o lle c tio n ; J u d y C h ic a g o ,

T h e D i n n e r P a r t y :

Instal-

lation v ie w s h o w in g G e o rg ia O ’K e e ffe p la cesettin g from

T h e D i n n e r P a r t y

S ch n a b e l,

T h e S t u d e n t o f P r a g u e :

M a cra m é: C o u r te s y o f M a c ra m a k in g , w w w .c ts y .c o m / s h o p / m a c r a m a k in g ; P ilch u ck : C o u r te s y o f Pil-

ch u c k G la ss S c h o o l; R e n w ic k G a llery: R o n B lu n t; R o s e y G rier: G e t t y Im ages; R o b e r t S m ith so n ,

S p i r a l

J e t t y .

F ra n cisco K jo lse th /

T h e S a l t L a k e T r i b u n e ;

T e r r a c o tta A r m y (detail): © Sh aan xi P ro vin cia l C u l-

tural R e lic s B u reau and th e S h aan xi C ultu ral H e r ita g e P ro m o tio n C e n tr e , P e o p le ’s R e p u b lic o f C h in a ,

2009; V S W P ress (2): C o u r te s y o f Joan L y o n s ; W a lte r H a m a d y ,

I n t e r m in a b le G a b b e r ja b b s :

C o u r te s y o f

the artist; W h a r to n E sh e rick m useum : Jam es M a rio , co u r te sy o f th e W h a r to n E sh e rick M u se u m

1980s

A I D S M e m o r i a l G u i lt :

Paul M a r g o lie s, © T h e N A M E S P ro je ct F o u n d a tio n ; G a r r y K n o x B e n n e tt,

C o l o r C o r e D e s k :

G e o r g e E rm l, co u r te sy o f G a r iy K n o x B e n n e tt; G arth C la r k galleries (2): C o u r te s y o f

G a rth C la r k ; G y ô n g y L a k y ,

T h a t I V o r d : f o r g

R e h ste in e r, co u r te sy o f G y o n g y L a k y ; J e a n -M ic h e l Bas-

qu iat, g a lle ry v ie w : A sso c ia te d P ress; K e n tu c k y M u s e u m o f A r t an d C r a ft logo: C o u r te s y o f K e n tu c k y

M u s e u m o f A r t and C r a ft; P e te r S h ire ,

B e l A i r C h a i r :

C o u r te s y o f P e te r S h ire; M e ta l ty p e : W illi H e id e l-

b a ch ; M aty- J a c k so n ,

L o w B a s k e t w i t h H a n d l e :

S m ith so n ian A m e ric a n A r t M u s e u m , g ift o f M a r c ia and

A la n D o c to r; M ic h a e l J a ck so n : A s s o c ia te d P ress;

T h e N e w Y a n k e e W o r k s h o p :

& E a m es clip p in g : C o u r te s y o f P rita m & E a m e s; Sa m M a lo o f an d R o n a ld R e a g a n : Bill F itz -P a tr ic k ,

c o u r te s y o f th e Sam an d A lfr c d a M a lo o f F o u n d a tio n fo r A r ts an d C ra fts ; S h ep ard F a ir e y

, A n d r e t h e

G i a n t H a s a P o s s e :

C o u r te s y o f S h ep ard F a ir e y / O b o y g ia n t.c o m ; S tan islav L ib e n s k ÿ an d Jaro sla v B ry c h -

to v a .

C o n t a c t s :

C o u r te s y o f th e C o r n in g M u s e u m o f G lass

I990S

A m e rica n P o tte ry Festival poster: C o u rte sy o f N o rth ern C la y C e n te r; A n n e W ils o n ,

H a i r W o r k :

C o u rte sy

o f the

A n t i q u e s R o a d s h o w :

C h ih u ly O v e r V e n ic e :

R ussell Johnson ; D I Y n e tw o r k logo: C o u r te s y o f Scrip p s N e tw o r k s ;

F r a s ie r :

N B C U

P h o to B an k ;

G h o s t :

m on R . G u gge n h e im F o u n d a tio n , N e w Y o r k ; Jim T rissel,

T h e C y c le o f t h e D a y :

C o u r te s y o f T h e P ress at

C o lo ra d o C o lle g e ; L ia C o o k ,

O n E d g e :

C o u rte sy o f th e artist; M a d e le in e A lb righ t: U .S . S tate D ep artm en t;

M arjorie Schick,

N e c k la c e :

G a r y Pollm iller;

M c S w e e n e y ’s :

C o u rte sy

o f M c S w e e n e y ’s ;

M ichaels: K risten P o w ell;

N A F T A protest: A sso ciated Press;

N a k e d G u n 2 / 2 : T h e S m e ll o f F e a r

C o u rte sy o f M o v ie Star N e w s ; N ic k

C a v e ,

S o u n d s u it :

C o u rte sy o f N ic k C a v e and th e Jack Shainm an G allery, N e w Y o r k ; N irvan a: A sso cia ted

Press; P eter V e rh e ye n : Jen ifer B o sw o rth ;

T h e S t . J o h n ’s B i b le :

O p e n in g p age o f

Sam uel :

I I S a m u e l B o o k

H e a d e r

, D o n a ld Jackso n ;

l a m e n t ,

T h o m a s Ingm ire, C o p y r ig h t 2010,

T h e S a i n t J o h n s B i b l e ,

O r d e r o f

Saint B en ed ict, C o lle g e v ille , M in n eso ta, U S A , Scripture qu otation s are from th e N e w R e v ise d Standard

V ersio n o f the B ible, C a th o lic E dition , C o p y r ig h t 19 9 3 ,19 8 9 N ational C o u n cil o f the C h u rch e s o f C h rist in

the U n ited States o f A m erica. U se d b y perm ission. A ll rights reserved.; S O F A logo: C o u rte sy o l'C a ro l F o x

& A sso ciates; W o o d typ e : Jim M o ra n , co u rte sy o f the H am ilto n W o o d T y p e & P rin tin g M u seu m

2 0 0 0

A m e ric a n M u s e u m o f C e ra m ic A rt: C o u r te s y o f A m e ric a n M u se u m o f C e ra m ic A r t; A n d y B r a y m a n /

M a t te r F a c to r y (2): B ra d y F o n te n o t; C a t M a z z a ,

N i k e B la n k e t P e t i t i o n :

C o u r te s y o f C a t M a z z a ; D am ien

H irst,

F o r t h e L i m e o f G o d :

A s s o c ia te d P ress; E d W ie n e r ,

N e c k p i e c e

, 19 4 9 , silver, fro m th e D a p h n e F a ra g o

C o lle c tio n , re p ro d u ce d w ith p erm issio n , p h o to gra p h © M u s e u m o f F in e A r ts , B o sto n ; E ts y logo:

C o u r te s y o f E ts y ; H C C C logo: C o u r te s y o f the H o u s to n C e n te r fo r C o n te m p o r a r y C ra ft;

M a d M e n

B ielask a , co u r te sy o f th e M u s e u m o f G la ss;

P i r a t e s o f t h e C a r i b b e a n :

C o u r te s y o f M o v i e S tar N e w s ; K e n

P rice , portrait and

O o fu s :

P r o j e c t R u n w a y :

C o u r te s y

o f L ife tim e N e tw o r k s ; R e n e g a d e C r a ft F a ir p o ster: C o u r te s y o f M a t D a ly